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Strike could be a reality by Monday — so expect more reality TV

Nov 2, 2007, 08:16 PM | by Lynette Rice

Categories: Movie Biz, Strike, TV Biz

A month ago, when Hollywood was in full hand-wringing mode over the potential of a writer's strike, a William Morris agent confidently declared that such a decision "would defy logic." No reasonable professional would dare to strike in the midst of a television season, right?

Wrong.

Less than 12 hours after their contract expired at midnight on Oct. 31, some 2,000-plus writers assembled in the Los Angeles Convention Center to hear union leaders declare that a strike will occur; the only question now is when. Many believe the picket lines could begin forming as early as this afternoon (at least, that's what some New York-based scribes were led to believe based on an earlier meeting), but the common wisdom is that the Writers Guild of America will inform writers to start waving the placards Monday morning, unless, of course, an 11th-hour deal is hammered out over the weekend. The goal now is to recruit some of the guild's more recognizable faces to walk the picket line, though it seems unlikely the WGA will drag Conan O'Brien out in front of 30 Rock in New York. They might, however, be able to convince 30 Rock creator Tina Fey to wave a sign or two.

As dense as some of the negotiation-speak may seem (what's all this talk about credit and separate rights, anyway?) the writers' complaints are pretty simple: every time you catch an episode of Desperate Housewives on ABC.com, creator/writer Marc Cherry (or his fellow DH scribe, who may have written that particular epsiode) doesn't get paid for it. Every time a series writer generates new content for his show's official Web page, he doesn't get paid for it. The writers also want a bigger piece of DVD profits (0.6 percent, up from 0.3 percent), so if you decide to, say, buy season one of Heroes on DVD, the scribes would get more money in their residual checks. That's what this dispute is about, give or take a few disagreements over credit and pensions and such.

So what does it mean for viewers if the strike begins Monday? Late night shows could immediately go into reruns, if David Letterman and Jay Leno decide not to write their own shows (though Letterman and Johnny Carson did this back in 1988). Cable yakkers like The Daily Show and The Colbert Report could also shut down. SNL may be forced to go black, airing repeats instead.

As for series television, most shows have about six-to-eight weeks worth of episodes written and in the can waiting to be shot, which will carry the networks through January, maybe early February. Writers who also hold the title of producer can continue to come to the set, they just can't do any kind of writing. For instance, if Jason Lee's joke falls flat during the taping of My Name is Earl, creator Greg Garcia would have to just let it go. The only sticking point that may interrupt ongoing production is if the Teamsters (i.e., the folks who drive all those production trucks) live up to their promise to not cross the picket line, which would force shows to simply go dark. If that's the case, expect even more new reality shows to debut in the next few months. "We'll be ready," says one Big Four network executive. "This is what we get paid to do. We've anticipated this for months, though honestly I thought they'd resolve it. How stupid can they be?" 

As for the impact in daytime, soaps generally have about four weeks worth of episodes in the can.  Once the nets burn though those originals, expect compilations of classic episodes (Victor and Nikki's first wedding! Luke and Laura reconcile — for the second time!) News programs, as well as syndicated shows like The Wheel of Fortune or Jeopardy, will not be affected. As for cable series, most shows, like The Shield and Nip/Tuck, were shot months in advance so there will be no impact — unless the strike is a long one.

"It's emotion transcending logic," opines another network executive. "Obviously, they're thinking they need to strike. But this isn't like the striking garment workers. We work alongside these people every day. A lot of us are friends. We golf together. It's so weird."


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Andy Hunn Sat, Feb 9, 2008 at 07:31 PM EST

To me shows like Saturday Night Live will prove even more lucrative to the new model. It generates both short form and long form content for the web (for example all the digital shorts) , it provides a testing ground for actors and writers (Conan O'Brien was a writer on SNL, Tina Fey a writer and performer who was able to create 30 Rock for NBC, the show has been re cut to an hour and syndicated to E!, and it creates commercial parodies, best of's and political specials that are repurposed into prime time specials. It created a DVD of its first 5 years so most likely more will come. Prior to the strike, the guest host was Brian Williams, NBC News anchor who post appearance saw the ratings for NBC News rise. Its been an effective medium to promote other shows as well. And during the strike, various shows and specials filled the prime time air. In short SNL is the golden goose to NBC. It creates original content that can be monetized across multiple distribution points.

Andy Hunn Sat, Feb 9, 2008 at 07:31 PM EST

To me shows like Saturday Night Live will prove even more lucrative to the new model. It generates both short form and long form content for the web (for example all the digital shorts) , it provides a testing ground for actors and writers (Conan O'Brien was a writer on SNL, Tina Fey a writer and performer who was able to create 30 Rock for NBC, the show has been re cut to an hour and syndicated to E!, and it creates commercial parodies, best of's and political specials that are repurposed into prime time specials. It created a DVD of its first 5 years so most likely more will come. Prior to the strike, the guest host was Brian Williams, NBC News anchor who post appearance saw the ratings for NBC News rise. Its been an effective medium to promote other shows as well. And during the strike, various shows and specials filled the prime time air. In short SNL is the golden goose to NBC. It creates original content that can be monetized across multiple distribution points.

Jeanz Mon, Nov 19, 2007 at 10:53 PM EST

OMG, just give the damn writers their 2.5% of profits!!!!

What's the big freakin' deal???

Jeanz Mon, Nov 19, 2007 at 10:52 PM EST

OMG, just give the damn writers their 2.5% of profits!!!!

What's the big freakin deal?

Jeanz Mon, Nov 19, 2007 at 10:50 PM EST

OMG, just give the writers their 2.5% profits already!!!!

dragon88 Mon, Nov 19, 2007 at 06:11 AM EST

I think that it is high time that writers stood up and demanded equal treatment. I agree with the comment that the writers should be paid closer to what the actors and actresses make to read the lines. Think of the time a writer puts into a script only to have a thespian "improve" the lines that the writer has slaved over for days. And it is downright thievery for executives to make money off of internet viewing while writers are told, "Sorry. It's 'promotional.'"

Sackie Wed, Nov 14, 2007 at 09:17 PM EST

I'm going to do what I can as a viewer by not buying any DVDs or watching TV this holiday season or until the writers are guaranteed their fair share. I'm going to ask my friends to do the same.

Stuart Tue, Nov 13, 2007 at 12:35 PM EST

The possibility of new writers having a chance is very slim. The entertainment industry understands that even if there are new writers out there, unless they are really good, their rating is going to drop. If there is any possible way for them to get their old writers back, they will do it. Only if they find writers as good as the old ones, they will continue to pursue any resolution that allows them to get their writers back.

Stuart Tue, Nov 13, 2007 at 11:54 AM EST

Writer's will continue to strike until they get what they deserve, and not until then. Writers control the entertainment industry, and now that its foundation has crumbled, entertainment will fall. People can and will find alternative forms of entertainment. The age of internet entertainment is coming, and the writers know it. They want pay for the work they do, and the internet is becoming the prominent source of entertainment. The writers deserve a slice of the money made online, and the sooner the WGA realizes that, the sooner it will get its writers back.

J.A.B. Thu, Nov 8, 2007 at 05:40 AM EST

As a fairly new professional freelancer...I am just very insensitively wondering how I can capitalize off of this strike. I know that there is some bad rap out there stating that this new strike could result in pity work for "bad" writers.

However, there are actually a number of good writers out there who deserve a chance. Perhaps I could be one of them. I figure life is short, why not?

rvbxdfhmw cxqjtwzlm Mon, Nov 5, 2007 at 02:38 PM EST

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maritza Sun, Nov 4, 2007 at 02:00 PM EST

How will a writers' strike affect the upcoming American Music Awards?

Sat, Nov 3, 2007 at 11:40 PM EST

As a WGA writer, I wanted to say big THANK YOU to all the Teamsters out there. You are putting yourselves on the line, risking huge financial hardship, to support us in our greatest hour of need. Your support and brotherhood will never be forgotten.

Know that at the big general membership meeting we held the other day, the Teamsters rep got a long standing ovation by the 3000 writers in attendance.

Again, THANK YOU, THANK YOU, THANK YOU, THANK YOU, THANK YOU, THANK YOU, THANK YOU!

the Q Sat, Nov 3, 2007 at 10:33 PM EST

People forget two things about writer's. Although writers tend to be viewed negatively bad show sources they are not the creative sparks to shows, they are often hired onto the shows after the Producers/directors/etc. have made all creative decisions about the shows. So they may have creative license often the producers are the idiots. Second, the writer's demand's match market changes. They receive salaries from first shows on TV, but not from internet, while the TV companies have shown a trend of viewers moving to strictly online content, and advertisers noticed and paid less per original show, meaning the writers lost pay even though executives increased sales. They want pay for work just like anyone deserves. Honesly though this is really more than a union matter, not getting paid for work is a Dept. of Labor matter

Sat, Nov 3, 2007 at 03:14 PM EST

Corporate executives are getting greedier, shoving cheap reality shows on us, and shorter and shorter viewing seasons of the few good dramas and comedies left. These writers have no choice but write what the Execs think will sell for the least amount of money possible. Execs are just mad they can't import foreign writers, pocket more money thenselves, and have even more power. Writers need to be compensated.

sven Sat, Nov 3, 2007 at 12:08 AM EST

First, just to mention, the articles .6 to .3, not 6 to 3 percent. Just to mention.

Second, I think the writers shouldn;t be threatening to strike, they should be threatening to walk, for good. The writer's guid can start websites, and teh writers can write the same shows for internet broadcast, and put the network studios out of business for good. Of course, that's just a sad, drunken little pipe dream of mine, but I barely watch TV anyway, so I don;t really care. Except that I've been waiting for the new season of Venture Brothers since the last season ended. Though they've actually finished writing the whole season, so I guess it shouldn't matter.

Mike Fri, Nov 2, 2007 at 11:51 PM EST

"Give me a break! If the pay is not right, don't take the job. Organized labor is so wrong"

Unions made the middle class. Unions give a serious voice to non-executives. Perhaps not every business now needs a union, but that is because unions set the standard for what it fair and other businesses are indirectly forced to follow suit.

Molly Fri, Nov 2, 2007 at 09:40 PM EST

If all of network television comes to a screeching halt because writers quit writing... that says something. It says the wheel can't turn without them. I support WGA. David Mamet said: "They" (producers) are like the white slave owners of old, sitting on their porches with their cooling drinks and going on about the inherent lazinness of the Negro race. The "producer" having never had a run-in with the demands of a craft, sees all ideas as basically equal and his own as first among them, for no reason other than that he has thought of it... many times I console myself by thinking that after society falls apart, I will be able to eke out at least my meals and shelter by putting on plays that make people laugh; but that these "producers" would have to wait until I and those like me went to work before they could eat... They are the, "let me take the cow to the fair for you son." Without the writers, there are no stories.

Bob Fri, Nov 2, 2007 at 09:01 PM EST

Kris - If unions strike when there is no impact to the end user, then the company feels no impact, then the strike is worthless. That said, all the "workers" in the industry have been getting stiffed with every new contract. Higher out of pocket health costs, new contracts offering our labor at drastically reduced rates for "independent" projects. It seems unfair that while we are making less, the writers should be making more. They should be happy just not LOSING stuff like we have.

Kris Fri, Nov 2, 2007 at 08:34 PM EST

This to me is woefully childish. Mid season and they decide to strike thinking it'll get them noticed? This is not the time to bring your grievances forward, if you had a problem with the way things were, organize when it doesn't impact their end audience. Any writer associated with this strike will forever be remembered as one who did not take their craft seriously.

Canabaloni Fri, Nov 2, 2007 at 07:45 PM EST

Give me a break! If the pay is not right, don't take the job. Organized labor is so wrong

John Fri, Nov 2, 2007 at 07:34 PM EST

I cant say I'm with the writers on this one. Scratch that. I'm with the writers, just not with the guild. If the pay is low, do what writers have been doing forever, find more work. Writers are resourceful, and the better writers should get better work and better pay. Throw in the guild and now the studio is paying for all talent, not the best talent. Moving from 4 to 8 cents is a lot of money for the writers actually making money on dvd's but it's meaningless for the majority of writers who are lucky if anything they do actually ends up in distro. And with web content, if you're paid for the episode, who cares what media it's put in? Of course, there's to problems with my argument...First, I would have to blow up my tv if any studio airs another reality tv show, and second, if I was actually making *real* money as a writer I might feel different.

Laynce Fri, Nov 2, 2007 at 04:38 PM EST

Wait, we're supposed to be upset at the thought of Tina Fey not being able to write any jokes? How long can we keep this strike going?

Peter Fri, Nov 2, 2007 at 04:28 PM EST

Steve is right. It is 0.6% not 6%. It doesn't surprise me that the info in the article is wrong. Entertainment Weekly is owned by Time Warner, one of the companies the strike is against. Notice also that there are no quotes from writers, only from executives. And the demands for the writers are summed up neatly as if they were idiotic.

It might be interesting to mention that the studios and producers would like to make it possible to show television programs or films on the internet without paying residuals to writers (or actors or directors or anyone), as long as it's for "promotional use." Which according to them could include showing a show or film in its entirety and making money off of commercials airing before the program or fees paid by the viewer. As long as the program is not being viewed on television or in the theatres, they consider it a promotion for the actual program on television. Of course this is not mentioned in the article.

Movieboss Fri, Nov 2, 2007 at 04:13 PM EST

Nothing gets on the air unless it's written down by a WGA writer, reality shows are the exception. Every single person in the chain of custody of a production gets a decent piece of online or DVD exposure except writers. Why is that? In fact, writers should get more than the celebrities who reead our lines. Celebs would be selling Slurpees were in not for writers!

Steve Fri, Nov 2, 2007 at 03:37 PM EST

Correct me if I am wrong, but I don't believe the Writers are asking to up residuals from 3% to 6%. (As measly an amount as that sounds) It's actually only .3% to .6%. Can I get a fact check on this?

Tony Fri, Nov 2, 2007 at 03:19 PM EST

Notvforme: The WGA represents all writers in Hollywood, not just TV writers. The film industry is deeply affected by this too, I don't know why that wasn't addressed in the article.

"It's emotion transcending logic," opines another network executive. "Obviously, they're thinking they need to strike. But this isn't like the striking garment workers. We work alongside these people every day. A lot of us are friends. We golf together. It's so weird."
This quote seems incredibly arrogant to me. Like garment workers aren't people or something. I'm sure people in the fashion industry work alongside garment workers every day and play golf together.

Ames Fri, Nov 2, 2007 at 02:52 PM EST

I'm on the side of the writer's on this one. Pay them for the work they do? Kind of a no-brainer.

Mir Hall Fri, Nov 2, 2007 at 02:39 PM EST

Damn yes they deserve more compensation for their writings. It's understood they are a part of a collaborative team; they are the magic, they are the funny, they are the talent within the show. Ghostwriters? Let them have their hidden glory by giving them what they earned.

Notvforme Fri, Nov 2, 2007 at 02:27 PM EST

I wish the writers would write something worth watching.. there are so many really bad shows on. That's why network television has been bleeding viewers for years. So walking out is only going to encouragne people to tune it out even more. The writers need to suck it up and start turing out better product before demanding a raise (just like the real world).

James Fri, Nov 2, 2007 at 02:27 PM EST

I know one group of writers that won't be on strike - book writers. Think about it.

DrunkenMovieCritic Fri, Nov 2, 2007 at 02:11 PM EST

"How stupid can they be?" If this network exec thinks they are going to survive on reality shows they better think again. Sure there are some huge hits, but majority of them out there aren't. When the average tv watcher turns on that tv and pretty much the same crap is strewn on every channel, they will just pop in the ol dvd. I fully support the WGA as by the quote above there is obviously a lack of respect for them. Hopefully they come to their senses and work together to come to an agreement.


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